Of course this band in not from Portugal (but from the US). That’s what indie rock musicians will do for you. Ever since I had heard this Feel It Still a couple of times, I knew it would be my favourite song of 2017, and indeed it was – even a few months into 2018, it still is the best new song I’ve heard in a while.
And then the sheer guts of using punctuation in the band name – love it. I’m quite sure there were some SEO specialists trying to convince them no to go down that road.
For the fans of the 90s: one of the songs that inevitably causes me to start moving (the initial move obviously being turning up the volume). The New York based band Deee-Lite released a couple of albums in the first half of the 90s, but will mainly be remembered as a one hit wonder, because of this gorgeous Groove Is In The Heart. Ah, well, better a one hit wonder than a no hit disaster.
Give me a reason not to like this song. In a lot of cases, songs with electrical guitars in them, contain – for my personal taste – too much of it. But not in this Glory Box. Here it is an element that perfectly blends in with the mix of melancholy and restraint that unites the other musical instruments and lead singer Beth Gibbon’s voice. Definitely one of my favorites from the 90’s (also because it contains a sample of a Belgian classic from the 60’s : Daydream by Wallace Collection).
If you ask people to name a 60’s pop song from Belgium, they typically come up with Daydream (Wallace Collection), Seven Horses in the Sky (The Pebbles) or Dominique (Soeur Sourire) – some of which definitely also belong to my favorites (I leave it up to your deductive skills, gathered from my previous Song of the day posts, to figure out which ones).
But another marvelous song is often overlooked: Move by the duo Jess & James, 2 Belgian brothers with Portuguese roots. The song was originally released in 1967, the video I am linking to dates from 1968 – you will appreciate the flashy and hyper-professional camera work. Some of you might also know the song from the 80s cover version by The Trammps, but as is the case with most covers; nothing beats the original.
Another one from the decade of my musical awakening – I was 18 at the time this was released. In the 1980s Thomas Dolby was one of my personal favorites, and even today some of his songs are still just that. One of them is definitely Hyperactive!, not in the least because it contains a hilarious line that I am still able to use in various circumstances every now and then: “You’ll be safer at the back, when I’m having an attack.”
Wow. Amazing. Sometimes you come across a song that evokes this kind of reaction. Like Penelope from the Californian indie rockband Pinback. No further comment needed if you ask me.
Motown stands for fabulous sounding songs from black artists, right? Well, in fact the first part is right, but the second is not – as demonstrated by this 1967 song from the Canadian and definitely white R. Dean Taylor.